I bring my studio into locations which flash quickly past my car window. Observational clay reliefs, sand animation, and graphite drawings are a few tools I use to look closely at details in the urban periphery. I assert my hand in response to the efficiency and sameness imposed upon my surroundings by making analog animations and drawings with warped perspectives. Working on site allows me to be in collaboration with a landscape shaped by infrastructure, a landscape I am in tension with. By spending time in these overlooked spaces, I find people and plantlife which point toward adaptability and self-sustaining futures interconnected with the built environment. 

CV

carmenribaudo(at)gmail(dot)com